Taylor Cameron is a Snoqualmie tribal artist based in Washington State. Their work blends traditional Indigenous knowledge with contemporary practices, combining hand-drawn and digital elements across illustration, design, and media. Storytelling is central to their practice, often carrying more weight than the finished artwork itself. Cameron’s work creates space for meaning, reflection, and connection, using art as a vessel to hold knowledge and experience. 

Through this approach, their practice affirms Indigenous knowledge as living, evolving, and deeply connected to land.

Peter Boome is a citizen of the Upper Skagit Tribe in Washington State. His work is celebrated for its vibrant storytelling and striking visual language. Best known for his masterful serigraphs, Peter's work has earned him a reputation as a leader in Indigenous art. As a muralist, Peter’s murals are both personal expressions and communal contributions, meant to engage viewers and foster understanding of Coast Salish traditions by bringing cultural perspective to life in urban spaces. Through his artwork, Peter shares the narratives of Coast Salish peoples, creating pieces that resonate with both Native and non-Native audiences.

Judy Lynn Gobin is a Tulalip tribal member,  Mother, Grandmother and Great Grandmother. She is a Coast Salish basket weaver, a seamstress and loves to bead and make jewelry. Judy was taught by Lummi Master weaver Anna Jefferson, in 1992 through the Northwest Indian College. Judy participated in the Santa Fe Indian Market and earned first place in Textile, Basketry in 2010 with Cedarbark Doll Sets. Awarded Grants through the Potlatch Fund on two occasions to enhance Art, and hold classes on the reservation.

Tsx'vilum Free Borsey is a Lummi Nation artist, muralist, and environmental steward whose work lives at the intersection of land, culture, and community. Based in Bellingham, he creates large-scale public art rooted in Coast Salish tradition, making Indigenous stories visible at the scale they deserve. His practice spans murals, cultural education, and youth leadership.

Epiphany Couch is an interdisciplinary artist working across photography, beadwork, weaving, and collage, she reinterprets traditional forms to create images, installations, and sculptural works that engage ancestral knowledge and invite new ways of understanding.
Her practice is rooted in unconventional collaboration—across time, between generations, and with the natural world—recognizing these relationships as vital to sustaining memory, culture, and identity. Her work has been acquired for public and private collections and exhibited in museums, galleries, and art fairs across the United States. Couch lives and works in Portland, Oregon, where she is a member of the artist-run gallery Carnation Contemporary, the Columbia Basin Basketry Guild, and the Cyme Collective.

Daniel Baptista creates art that honors Coast Salish culture and the Lushootseed language. His work blends traditional symbols with modern design and has been featured in projects such as the Tacoma Light Trail, the Twulshootseed Yard Sign Project, and a commemorative sign recognizing the sx̌ʷəbabš (Swift Water People) as the original inhabitants of Vashon and Maury Islands, as well as in community murals, tribal early learning center, language revitalization efforts, cultural events, and educational programs that celebrate and promote Coast Salish heritage and Indigenous identity. Through his art, he helps keep Indigenous stories and language alive for future generations.

Amber Stephens’ work follows a journey of reconnection with her tribe’s histories, language, and traditions alongside self-reflections on lessons she’s learned on the way. Through her art she weaves together storytelling and community, honoring cultural preservation while exploring new ways for traditions to grow and evolve. Amber works with digital and traditional art mediums to bring together teachings from old and new. Her background as a game level designer informs her thoughts on space, interaction, and storytelling, often including viewers in the experience of her work. Whether creating small works or large public installations, Amber’s goal is to create art that feels welcoming.  She hopes to encourage the viewer’s curiosity and grow a deeper appreciation for the living traditions of Coast Salish art and culture.

Chris has worked for the Puyallup Tribe in Language Program since 2011 and Heritage Division since 2023. Chris had been developing his style of contemporary coast salish art since 2012. Chris incorporates his experience with the Lushootseed language, native culture, Puyallup history, Coast Salish songs and traditional narratives in his artwork. Chris works primarily with digital art, however several pieces have been translated to many different mediums. He continues to expand his skillset and test new mediums as a way to share our native culture and history.